While the industry fears further theatrical date shake-ups for 2023 due to the strikes, next year is getting beefed up. Today, Lionsgate has dated another faith based music feature from Kingdom Story Company for April 26, that being Unsung Hero. The pic joins MGM’s Luca Guadagnino directed R-rated Zenday romance pic, Challengers, which is already
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EXCLUSIVE: With such big 2023 movies such as Kraven the Hunter, the next Ghostbusters, the Zendaya romance Challengers and more moving into 2024 due to the SAG-AFTRA strike, exhibition is facing another possible recession should stars remain unable to promote. Movie theaters are currently relishing a box office boom in Barbie and Oppenheimer with the
Regal parent Cineworld has officially emerged from bankruptcy, unveiling five new board members and a strengthened balance sheet. The chain, which was flattened by Covid and high debt, filed for Chapter 11 in the Southern District of Texas last September. It exits today having reduced that debt by about $4.53 billion and raised $800 million
EXCLUSIVE: Moulin Rouge! The Musical, based on Baz Luhrmann’s 2001 luscious pop classic movie starring Nicole Kidman, Ewan McGregor and Jim Broadbent, has recouped its costs — not only the $28 million Broadway price tag, but it also recouped sizable sums in London’s West End and Australia. Luhrmann tells me that it’s “so gratifying that breaking
Major Sony release date changes here, a bulk of them due to the actors strike. Let’s start with the good news: The Culver City lot is dating Bad Boys 4, which recently wrapped production for Fathers’ Day weekend, June 14, 2024. It’s going up against Disney/Pixar’s Inside Out 2. Through three movies, the Will Smith
A24’s supernatural horror Talk To Me by first time filmmakers Danny and Michael Philippou blew past box office projections grossing over $10 million on 2,340 screens opening weekend. The breakout by the first-time filmmaker brothers and popular YouTubers from Australia was no. six at the domestic box office. The film was well reviewed as a
A4’s supernatural horror Talk To Me opens the debut film by Australian brothers and popular YouTubers Danny and Michael Philippou on 2,300 screens. Strong reviews (see Deadline’s here), A24 large built-in fan base and its elevated horror cred saw a Thursday gross of $1.25 million, looking to top a $4-5M weekend. The Sundance-premiering pic follows
As expected, Warner Bros’ Barbie has now officially crossed the six-century mark globally with Friday’s figures included. The global cume is $637.5M through yesterday with the international box office repping $350.5M after a $30.1M Friday in 69 offshore markets. The Greta Gerwig-directed phenom should high-heel it past $700M through Sunday worldwide. We’ll have much more
Very early figures here for Barbenheimer given their wonderous first week. So early we don’t have the figures for Disney’s Haunted Mansion previews yet, nor the official studio numbers. But it’s another sexy $20M+ day for Barbie with an estimated $21.4M on Thursday (-7% from Wednesday), ending its first week at $258.6M. The pic should
Just in time for Oscar season, 20th Century Studios has dated the Jeff Nichols written and directed, The Bikeriders, which follows the rise of a Midwestern motorcycle club through the lives of its members. The pic will open on Dec. 1 this year. The Bikeriders is based on the Danny Lyon novel, and it’s produced
The Barbenheimer phenomenon just keeps going. To wit: there is so much energy happening at international box office turnstiles that Tuesday’s grosses on Warner Bros’ Greta Gerwig-directed Barbie and Universal’s Christopher Nolan opus Oppenheimer were down just 1% from Monday. The offshore gross through Tuesday on Barbie is now $258.5M with global at $472.6M. As
Wednesday isn’t a day like Tuesday, where there are cheap tickets up for sale, but that didn’t stop Warner Bros.’ Barbie from continuing its daily weekday $20M+ streak. The Greta Gerwig-directed feature grossed $23M yesterday, -12% from Tuesday, sending its six-day running total to $237.1M. America’s No. 1 doll definitely is crossing $300M this weekend,
Mattel CEO Ynon Kreiz said last weekend’s blockbuster release of Barbie – the toymaker’s first-ever major theatrical film – is a moment that “will be remembered as a key milestone in our company’s history.” His comments came amid second-quarter numbers in line with Wall Street forecasts. “The Barbie movie is a showcase for the cultural
We knew Warner Bros’ Barbie and Universal’s Oppenheimer were going to be big — but not this big. Paramount’s Tom Cruise sequel Mission: Impossible – Dead Reckoning Part One learned that the hard way (65% Weekend 2 decline with $19.3M) by going one weekend before the dual tidal wave, trying to avoid the wake of
Amid all the noise about studios taking apart the fall and fourth-quarter release schedule over the SAG-AFTRA strike, here’s some good news: Amazon is taking its Emerald Fennell-directed movie Saltburn out on Black Friday, November 24, in New York and Los Angeles. Pic will expand December 1. In the wake of releasing Ben Affleck’s Air
Everyone didn’t stop going to the movies on Monday with Barbenheimer in full force: Warner Bros posted the best Monday at the domestic box office with Barbie grossing $26.1M while Universal’s Christopher Nolan pic Oppenheimer wasn’t shabby with $12.6M. For Warner Bros., Barbie beats their previous Monday high of Nolan’s Dark Knight which did $24.4M
The mysterious sanctuary hidden away in the Jemez mountains was known only as Box 1663 in the mid 1950s. The mission of its 13,000 residents was to create “the gadget.” Living there was a challenge. “It’s a prison camp for eggheads,” whispered one scientist. As a young newsman, I decided I had to find a
It was a magnificent movie weekend. Barbie, Oppenheimer, Sound of Freedom. All hits, a blow-out! So what else have you got? The question sounds obnoxious, like its near-cousin, the always infuriating: “What have you done for me lately?” But it’s an honest query, and an important one for a strike-bound, streaming-bent, pandemic-emergent industry that is
While the Hollywood Studios and WGA and SAG-AFTRA are at a standstill in labor talks –streaming residuals being a big bone of contention– the theatrical side of the business exploded with Barbenheimer together grossing over $511M worldwide, $235.5M of that being domestic. Never before in the history of Hollywood movies have two films opened respectively
Another 2023 theatrical release gets moved due to the SAG-AFTRA strike as MGM is pushing the Zendaya starring, Luca Guadagnino directed R-Rated tennis romance to April 26, 2024. The pic was scheduled to open stateside on Sept. 15, working off the heat of its Venice Film Festival opening night premiere. That world premiere is not
Christopher Nolan’s highly-anticipated and highly-reviewed Oppenheimer has begun overseas rollout with strong results versus some of the director’s previous titles. On Wednesday, the Universal film opened in 10 offshore markets, grossing $2.4M and led by France and Indonesia. These are early days as the critically-lauded Cillian Murphy-led biographical drama/political thriller will be playing a total
Return To Dust, an arthouse hit in China last summer before being pulled from release, opens Stateside this weekend with Film Movement presenting on two screens – NYC’s BAM Rose Cinema and the Gene Siskel Film Center in Chicago, expanding to LA and Seattle next Friday. The distributor acquired the film directed by Li Ruijun
In a contorted legal case, a Delaware judge today struck down a settlement that would have helped AMC Entertainment move ahead with steps to raise cash and shore up its stock. “To cut to the chase, the settlement cannot be approved as submitted,” Judge Morgan Zurn of Delaware Chancery Court wrote in a 69-page opinion
EXCLUSIVE: The box office event of the year which has Warner Bros. mass female attraction, Barbie, and Universal’s Christopher Nolan directed, Oppenheimer, has officially fired off its confetti guns with the movies seeing respectively an estimated $20M and $9M+ from their previews. Again, these numbers could fluctuate by morning. Even if Barbie falls short of
Cillian Murphy and Christopher Nolan are marking their sixth collaboration with Oppenheimer, the biographical epic about the titular complicated and brilliant physicist tasked with leading the Manhattan Project, the secret effort to create the atom bomb, and the moral and political struggles that followed. This is the first time Murphy, who plays Oppenheimer, is essaying
“You’re being managed on Barbie” was a snarky text I received last night, “it’s at least $130M.” The point of that is the projections out there for the Greta Gerwig directed feature take of the Mattel doll are indeed wild. Rivals were spotting $90M-$125M; Warners asserting $75M. Today, to support the crazy fever of moviegoing
Alamo Drafthouse Cinema said CEO Shelli Taylor is retiring in August and named president Michael Kustermann as its new chief executive. The fast-growing dine-in chain, that’s been hugely successful luring post-pandemic moviegoers back to theaters, said its board of directors, including Taylor and executive chairman Tim League, selected Kustermann as Taylor steps down, effective August
On the edge of what is bound to be the domestic box office’s third $200M+ weekend thanks to Barbie and Oppenheimer, the motion picture industry’s fret is whether the great post-pandemic moviegoing rebound is about to screech to a halt due to the SAG-AFTRA strike and actors prohibited from promoting. Barbie and Oppenheimer are expected
At a time when the industry is suffering through historic dual strikes by the WGA and SAG-AFTRA, the motion picture industry is poised to see an enormous weekend at the box office with Warner Bros./Mattel’s long awaited toy feature adaptation Barbie and Christopher Nolan’s World War II era three-hour adult drama Oppenheimer reaping a combined
Talk about respecting a theatrical window: Disney has set a Disney+ global premiere date for Guardians of the Galaxy Vol. 3 of Aug. 2, that’s 90 days after the pic’s theatrical release of May 5. While Disney got a lot of slack during CEO Bob Chapek’s era for executing theatrical day-and-date releases on Disney+ during
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