Movies

Jennifer Lopez and Ben Affleck have one of Hollywood’s greatest, and most dramatic, romances. The decades-spanning connection that saw them initially get together back in the early 2000s but crumble under a much-publicized breakup a mere few days before their planned nuptials. Of course, the power couple would famously rekindle their romance twenty years later,
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Christopher Nolan has a habit of working with the same actors over and over again: the acclaimed director has worked with Anne Hathaway and Matt Damon twice, Christian Bale and Gary Oldman four times apiece. And, he’s notably collaborated a whopping six times with Cillian Murphy, the star of not only his blockbuster biopic Oppenheimer
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It’s been a great time for double features, what with 2023’s Barbie-meets-Oppenheimer phenomenon and the recent cinematic coupling of Wicked Part 1 and Moana 2 (a.k.a. “Theater Kid Barbenheimer”). Sydney Sweeney wants to keep the multi-title movie events going with a pair of her most recent theatrical releases. While sitting down for a recent interview
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Yorgos Lanthimos’ Venice Golden Lion Winner Poor Things is here with Searchlight Pictures sewing up nine theaters in four major markets for leg one of the Emma Stone-starring surreal-period-comedy-horror. The film debuts in NYC (AMC Lincoln Square, Regal Union Square, Alamo Drafthouse, Brooklyn) and LA (AMC Century City, AMC The Grove, AMC Burbank 16) as
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After one Japanese title delivered at the sleepy December box office last weekend, that being Godzilla Minus One, here’s another that’s set to dominate: Studio Ghibli and GKIDS’ Hayao Miyazaki‘s The Boy and the Heron which is looking at a No. 1 lead with $10M+ after $2.39M Thursday and early access previews. The comp here
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Searchlight Pictures’ Poor Things from Yorgos Lanthimos earned a stellar $72K per-screen average opening weekend at nine theaters in four markets, for an estimated three-day total of $644K. In a competitive season, this marks the fall’s best limited opening on ten or fewer screens and is in the year’s top three. The big two for
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Refresh for latest…: There were two new Hollywood entries at the international box office this weekend as both Warner Bros/Village Roadshow/Heyday Films’ Wonka and Universal/Illumination’s Migration began early offshore rollout, though on different patterns. It was good news all around with Timothée Chalamet-starrer Wonka launching to $43.2M in 37 markets, well ahead of pre-weekend projections.
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They faced each other in a box office royale that wound up mushrooming to become the biggest box office weekend of the year. Now, Warner Bros.’ Barbie and Universal’s Oppenheimer will go toe-to-toe at the Golden Globes on January 7. Interestingly enough, coming away from the Golden Globes nominations Monday morning, Barbie bests Oppenheimer by
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With awards shows’ ratings dropping annually, many have pinned that on mainstream viewers tuning out because their favorite tentpoles are overlooked in the Best Picture categories. Popular Best Picture candidates and hosts have traditionally been tied to Oscars’ ratings. However, the Golden Globes has continually had respect for popcorn pics between their drama and musical/comedy
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Lionsgate‘s 6x Oscar winning feature musical La La Land is returning to China via distributor JL Film on Dec. 22. The Damien Chazelle directed, Emma Stone and Ryan Gosling picture starring minted $35M of its $470M global B.O. in China. The movie holds the record for an original live-action movie musical at the box office, and
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Bleecker Street said it’s extending the theatrical run of Waitress: The Musical through the holiday season after its “exceptional performance and sellouts nationwide.” The distributor had initially planned for a one-week run, releasing the film of the hugely popular musical on 1,214 screens across the U.S. and Canada last weekend. It grossed $3.5 million from Thursday to
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As media companies deal with a post-pandemic world, where streaming platforms have become key to success while simultaneously becoming expensive to maintain, a lot is changing in the way studios produce movies and television. We’ve seen a lot of unexpected moves from studios, including removing original content from streaming platforms, and the total shelving of
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Jennifer Lopez has inhabited the roles of strong women since the beginning of her career, from her Golden Globe-nominated big break as Tejano icon Selena Quintanilla in Selena to her commanding, Oscar-snubbed performance as veteran stripper Ramona Vega in Hustlers. And in new interview, the multi-hyphenate talent proclaims that that female-fronted focus is no accident.  In
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