Movies

EXCLUSIVE: The AMC-distributed concert film, Taylor Swift: The Eras Tour according to sources has actually clocked $37M+ from the three big theater circuits –AMC, Regal and Cinemark– in its first 24 hours of presales. That’s definitely higher than the first day presales of Star Wars: Force Awakens at $20M. The current opening weekend projection for
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The North American box office has been a challenge to track the past couple of years, first with movie theaters shuttering along with almost everything else due to the Covid pandemic, and then in 2023, just when thing were returning to normal, a pair of Hollywood strikes has further complicated studios’ release-date strategies. Still, as
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National Cinema Day did 8.5 million admissions we hear off of a Sunday total day box office that’s estimated around $34M. All tickets for all movies and showtimes were $4 vs. last year’s $3. Note this figure could go up later today once final numbers are tabulated. Last year’s National Cinema Day drew 8.1M. The
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Time was, Hollywood filmmakers would regularly travel to China in support of their movies, attending premieres and holding Q&As to drum up buzz in the massive box office market. The pandemic halted that ritual — until this week when Christopher Nolan became the first major Hollywood filmmaker since Covid to stroll a red carpet in
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Emma Seligman’s Bottoms is looking at an estimated weekend gross of $516k on ten screens with a possible leading $51,625 per-theater average for the raunchy, teenage high school girl take on Fight Club. That’s a win for MGM, its Orion Pictures label and Brownstone Productions, producers on the modestly budgeted ($11.3 million) film written by
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It’s an unusual theatrical weekend as the second National Cinema Day rolls out Sunday with $4 tickets for all shows and formats at participating theaters — the bulk of the nation’s circuits big and small. The event was announced Monday with a dedicated clip of new openings, recent returning (The Super Mario Bros. Movie) and
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In what was to be expected, Legendary Entertainment and Warner Bros’ anticipated sequel Dune: Part Two from Denis Villeneuve is moving off its November 3 theatrical release to March 15, 2024, due to the ongoing SAG-AFTRA strike. The sequel based on the Frank Herbert novel also will play Imax on its new date. Don’t be
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Producers of the struggling A Beautiful Noise: The Neil Diamond Musical are hoping for better attendance by breaking with a long-held Broadway tradition: Beginning next month, the musical will play four weekly matinees rather than the usual three while cutting the number of evening performances to four from the traditional five. Beginning Sept. 6, the
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This Wednesday, Warner Bros.’ Barbie will become the highest-grossing movie at the domestic box office year to date with north of $574.2M, overtaking Universal/Illumination Entertainment’s Super Mario Bros Movie which finaled its stateside run at that amount. The last time Warner Bros. ruled with the top-grossing movie of the year was in 2011 with Harry
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EXCLUSIVE: Greenwich Entertainment has acquired U.S. distribution rights to Inshallah a Boy, the directorial debut of Amjad Al Rasheed which world premiered during the Cannes Film Festival’s Critics’ Week and is set to have its North American debut at TIFF next month. Inshallah a Boy is being considered for Jordan’s Official Selection for Best International
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EXCLUSIVE: The National Association of Theatre Owners’ EVP & General Counsel Jackie Brenneman has departed, several sources inform Deadline. This became effective Friday. Brenneman was also one of the founders, and the President of NATO sister org, The Cinema Foundation. The news follows in the wake of the new administration at NATO led by new
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Neon’s re-release of Park Chan-Wook’s 2003 Oldboy grossed an estimated $495k on 250 screens this weekend for a total cume of $880k over five days. It’s set to cross the $1 million in its first week back – surpassing a cumulative North American gross of $707k with original distributor Metro Tartan Film. The classic revenge thriller came
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Refresh for latest…: It’s been another very busy weekend at the international box office with milestones and great holds, as well as a new entry and local-language movies adding to the mix.  Coming off of a record-breaking debut in Korea, Christopher Nolan and Universal’s Oppenheimer led the overseas frame for the studios with a $32M
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With Tuesday’s grosses, Illumination/Nintendo/Universal’s The Super Mario Bros. Movie has crossed the $100M (13.74B yen) mark in Japan. In doing so, it becomes Universal’s top title ever there. In local currency, Mario overtakes Top Gun: Maverick as the No. 6 Hollywood film of all time in Japan, and is the No. 1 studio picture since
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Editor’s note: Dade Hayes and Jonathan Bing are co-authors of Open Wide: How Hollywood Box-Office Became a National Obsession. Hayes is Deadline’s Business Editor and Bing is Chief Communications Officer at Vice Media Group. The more things change, the more the Hollywood studios stay the same. At least that’s one of the surprising lessons of
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Re-releases reliably dot the theatrical calendar and this week have a standout. Oldboy, the 2004 Cannes prize-winner, re-released by Neon on its 20th anniversary restored and remastered, grossed $235k on Wednesday and $150k Thursday — for a total cume $385k on 250 screens heading into the weekend. San Francisco, NYC and LA, led by Alamo
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