Movies

With Tuesday’s grosses, Illumination/Nintendo/Universal’s The Super Mario Bros. Movie has crossed the $100M (13.74B yen) mark in Japan. In doing so, it becomes Universal’s top title ever there. In local currency, Mario overtakes Top Gun: Maverick as the No. 6 Hollywood film of all time in Japan, and is the No. 1 studio picture since

Before the strikes completely turn the theatrical release calendar inside-out, the fall box office isn’t going to just give up. Following what is expected to be a robust $30M+ four-day for Sony’s The Equalizer 3 over Labor Day weekend, New Line’s The Nun II is expected to file a post Labor Day weekend start of

Editor’s note: Dade Hayes and Jonathan Bing are co-authors of Open Wide: How Hollywood Box-Office Became a National Obsession. Hayes is Deadline’s Business Editor and Bing is Chief Communications Officer at Vice Media Group. The more things change, the more the Hollywood studios stay the same. At least that’s one of the surprising lessons of

Re-releases reliably dot the theatrical calendar and this week have a standout. Oldboy, the 2004 Cannes prize-winner, re-released by Neon on its 20th anniversary restored and remastered, grossed $235k on Wednesday and $150k Thursday — for a total cume $385k on 250 screens heading into the weekend. San Francisco, NYC and LA, led by Alamo

Even though kids are heading back to school, the summer box office isn’t giving up yet, and there’s a chance we could near $4 billion thanks to the final act power of Barbie and Oppenheimer. Warner Bros is hoping the first Latino superhero movie, Blue Beetle, will stoke its core moviegoers; that DC title seeing

Low end forecasts have Sony’s Denzel Washington starring, Antoine Fuqua-directed action threequel, The Equalizer 3 at $30M+ over 4-days. Some box office sources even think the sequel, which was shot in Italy, has a shot at $40M and that’s because of The Equalizer 3‘s big first choice numbers with guys over 25. Even Women over

Universal and Christopher Nolan’s Oppenheimer debuted in more than 500 locations in Korea on Tuesday, capitalizing on the Liberation Day national holiday. The epic bowed to $4.3M, capturing 44% market share for the day in a highly competitive environment. That marks the best Nolan opening day in the market, biggest Hollywood opening of the year there (No. 2 launch

Sony’s Craig Gillespie-directed comedy, Dumb Money, about the GameStop meme investors isn’t going wide anymore on Sept. 22. Rather, the Culver City lot has opted to go exclusive with the ensemble movie on Sept. 15 in LA and NYC, then a limited break on Sept. 22, followed by a moderate release on Sept. 29 and

Angel Studios, the distributor behind Alejandro Monteverde’s summer surprise hit, Sound of Freedom, is exclaiming that they’ve paid back their 6,678 P&A investors 120% of their original investment in the Jim Caviezel movie. Angel Studios raised $5M for the pic’s marketing through crowdfunding, the anti-child trafficking movie recently clicking past $174M in the middle of

In what is poised to be a case of Warner Bros beating itself for the No. 1 spot at the box office this coming weekend, the studio’s new DC superhero title, Blue Beetle, is poised to halt Barbie‘s three-weekend streak with a $28M-$32M opening. Barbie, meanwhile per industry sources, is looking at a $22M-$24M fourth

EXCLUSIVE: With the new animated version of Teenage Mutant Ninja Turtles: Mutant Mayhem, Paramount has vibrantly revived the near 40-year-old Kevin Eastman and Peter Laird-conceived comic IP for another generation: As the pic barrels toward $100M at the global box office, Deadline hears from sources that the Teenage Mutant Ninja Turtles brand is heading toward $1 billion+

A newcomer will be easing on down the road next year. Nichelle Lewis has been cast in the lead role of Dorothy in the Broadway revival of The Wiz, which is slated to hit the boards in the spring. Discovered via a TikTok video and beating out more than 2,000 other hopefuls, she also will

Led by Rajinikanth-starrer Jailer and Anil Sharma’s Gadar 2, box office in India reached record-breaking numbers this weekend. According to the Producers Guild of India and Multiplex Association of India, the August 11-13 frame was the busiest single weekend since the beginning of the pandemic. What’s more, across three days, ticket sales hit more than

Jailer, the Tamil-language action thriller with one of India’s most enduring stars, blasted off to circa $2.56 million on 450 screens, hitting the top ten at the box office this weekend, according to Comscore. Bollywood (Hindi), Tollywood (Telugu) and Kollywood (Tamil) pics, which open day-and-date in India, occasionally cross over to general audience, especially following

Jurassic Park will hit theaters again on Aug. 25 in celebration of the Steven Spielberg pic’s 30th anniversary. The movie will be re-released in RealD 3D-equipped theaters across North America. Jurassic Park was converted to 3D in 2013 for the film’s 20th anniversary. The original 1993 release of the film shattered box office records, setting

Releases keep coming but talent is not comfortable promoting films, even indies, even if productions have waivers or don’t need them. Where that’s leading isn’t clear. “Who’s going to take the plunge first? We’ll see. The festivals will be the big test,” said one independent distribution exec. From a moderate release like Jules, in nearly

FRIDAY AM UPDATE: The only new wide release this weekend is Amblin’s period Dracula horror pic The Last Voyage of the Demeter being distributed by Universal. It made $750K last night in previews from showtimes that began at 5PM in 2,350 theaters in what is expected to be an underwhelming 3-day single digit million result

CEO Adam Aron has expounded on Twitter and most recently on AMC Entertainment’s latest earnings call about the risk of a cash crunch and even bankruptcy if it wasn’t able to secure financing in a still uncertain box office climate. Today he can breathe easier as a Delaware Chancery Court Judge approved a revised shareholder

IFC Films is beefing up its depleted leadership ranks, naming Nicole Weis VP of Distribution. Judy Woloshen also joins as VP of Public Relations, managing national publicity efforts across IFC’s three film brands (IFC, RJLE Films, Shudder). Weis, who will manage theatrical rollout for the film group’s slate, was previously VP of sales and distribution

Giant theater chain AMC Entertainment has promoted Ellen Copaken to SVP Marketing, effective immediately. She was also appointed to sit on the company’s management executive committee. Copaken joined AMC in February of as VP, Growth Strategy, and led the exhibitor’s AMC Perfectly Popcorn launch in more than 2,600 Walmart stores (and Walmart.com) ), delivering “sales

The Will Rogers Picture Pioneers Foundation is holding a screening of Star Wars: Empire Strikes Back on Aug. 30, 7PM at the TCL Chinese Theatre in Hollywood to raise funds for its charity. The non-profit provides support to a multitude of national health and social service programs, as well as financial assistance to members of

Deadline has confirmed that Warner Bros’ billion-dollar grossing Barbie won’t be getting a release in Kuwait, and it’s skating on thin ice in Lebanon. While local censorship authorities in Kuwait have deemed the Margot Robbie-Ryan Gosling pic as going against the grain of their values; Lebanon, which is typically liberal when it comes to LGBTQ+

AMC Entertainment’s CEO Adam Aron warned that the chain risks financial peril if it can’t raise fresh cash as needed while exhibition continues its post-Covid recovery amid Hollywood strikes. The world’s biggest move chain saw second-quarter earnings surge, sales jump and things looked great in movieland with the three months ended in June and the

Parade, winner of this year’s Tony Award for Best Musical Revival, ended its Broadway run on a very high note Sunday, grossing a big $1,814,013 and selling out its special nine-performance week. That’s a house record for the Jacobs Theatre. The Jason Robert Brown-Alfred Uhry musical was among the top earners on Broadway for the

National CineMedia shares are popping today in a down market as the cinema advertising company emerged from Chapter 11 and named former top executives of NBCUniversal, HBO and Fox to a reconstituted, and pretty impressive, board of directors. Lauren Zalaznick, formerly EVP & Chair, Entertainment & Digital Networks, Comcast NBCUniversal, is now board chair. “We

Sequin- and self-actualization sprinkled congratulations are in order for Greta Gerwig, Margot Robbie and all the dolls and guys as the phenomenon that is Barbie has now crossed $1B global in just its third weekend. We said yesterday it was on the cusp, and now here’s the pudding. Through Sunday, the international box office estimate is

CatVideoFest, which is just what it sounds like, joined notable indie debuts and festival favorites Shortcomings and Passages, the re-release of Shiva Baby and juggernaut Talk To Me in another weekend of varied specialty fare, both new and holding over. Indies are helping drive a buoyant box office. They’re also waiting for the Barbenheimer tsunami

Christopher Nolan’s Oppenheimer has reached the $500M global milestone, on its way to an estimated $551M through Sunday. This would make it the filmmaker’s fifth-highest-grossing film of all time, ahead of Dunkirk. The worldwide total through Friday is $499.3M, meaning that it has already topped the five-century mark today. Overseas, the Universal title is expected to see an

As she heads into the third weekend of release, Warner Bros’ Barbie has hit two new milestones, crossing both $500M at the international box office and the nine-century mark worldwide. The Greta Gerwig-directed phenomenon added $16.8M from 69 offshore markets on Thursday, bringing the overseas total to $509.7M through yesterday. Globally, the doll is standing

FRIDAY MIDDAY: The third weekend of Warner Bros’ Barbie at $51M (-45%) is higher than the opening of the Brad Pitt action movie, Bullet Train, which did $30M during the first weekend of August. It just goes to show how far we’ve come along at the box office. The Greta Gerwig directed take on the