Hunter Abrams It was 2004, the year of “Nipplegate” at the Super Bowl halftime show and sexist late-night talk show barbs. Ambition, Tory Burch recalls, was a dirty word for women back then, to the point where she recalls “shying away when a journalist asked me [about it] in a sort of negative way” as
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Courtesy of Rosario Hevia In northern Chile, roughly 59,000 tons of secondhand clothing arrives in ships from the United States, Europe, and Asia every year. Some is resold, but what is unsalvageable, roughly 39,000 tons, ends up in a trash dump in the Atacama desert, a fashion graveyard in the driest desert in the world.
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Once a month, Consequence proudly highlights an artist who’s poised for the big time with our CoSign accolade. For March 2024, that title goes to 19-year-old nu-gazer Wisp and her debut EP, Pandora. Wisp is like any other music-obsessed 19-year-old: she loves talking tunes with friends, she posts Topsters on her Instagram to show off her
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TOMORROW X TOGETHER are officially returning to America. Buckle up, MOA — following the release of their next EP, minisode 3: TOMORROW, Soobin, Yeonjun, Beomgyu, Taehyun, and Hueningkai will touch down once again in the US, this time for a tour titled “ACT: PROMISE.” Get tickets here, and read on for more details — including
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In his haunting debut, Death Row Welcomes You: Visiting Hours in the Shadow of the Execution Chamber, Tennessee journalist Steven Hale sheds light on a rarely seen part of American society: the places where more than 2,700 people await execution by the state. Hale’s reporting began when, after a decade-long lull, Tennessee began executing the
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MacArthur fellow and National Book Award finalist Hanif Abdurraqib is a prolific poet and author, writing across genres of poetry, essay and cultural criticism to great acclaim. Abdurraqib turns his sensitive lens towards basketball in his newest work, There’s Always This Year: On Basketball and Ascension. With carefully constructed and imaginative prose, he immerses us
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Early in the shattering true crime memoir Rabbit Heart: A Mother’s Murder, A Daughter’s Story, Kristine S. Ervin pauses mid-sentence to tackle a question of grammar. Which tense does one use when discussing a relationship in which one person has died? It is a question that seems to form the crux of this stunning debut:
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