Movies

“I thank you from the bottom of my heart,” Denzel Washington told a Colosseum-full of exhibition executives at CinemaCon. The star of The Equalizer 3 — first trailer dropping tomorrow — received a Lifetime Achievement Award presented by director Antoine Fuqua during Sony’s presentation, which kicked off the annual four day-event in Las Vegas. “We
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Digital and social media marketing chiefs of major studios said today they’re really hoping the threat of a U.S. government ban on Tiktok never materializes, so crucial has the platform become to launching films. They’d also like Elon Musk-owned Twitter to get itself together, since that’s also a key platform for Hollywood. “I don’t personally
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In a week when distributors and exhibitors are reconvening for their annual Las Vegas meet-up, CinemaCon, and celebrating the post-pandemic resurge of the box office, the motion picture industry is bracing for a potential WGA strike. With production and deal-making slowing down, especially with 98% of WGA West and WGA East authorizing a strike if
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EXCLUSIVE: Deadline has learned that Warner Bros Discovery CEO and President, David Zaslav, will be teeing off Warner Bros studio presentation at CinemaCon on Tuesday AM, April 25. While it’s standard for the heads of motion picture studio divisions, read Sony’s Tom Rothman, Universal’s Donna Langley, and former Warner Bros chief Toby Emmerich to share
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After posting giant per screen numbers at four theaters last weekend, A24’s Beau Is Afraid  jumps to 926 for the distributor’s third outing with Ari Aster. It’s a very different film from his horror favorites Hereditary and Midsommar but one the distributor hopes will cement the director’s place as a modern auteur. According to one
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Ethan Coen’s Focus Features and Working Title comedy caper, Drive-Away Dolls, will open on Sept. 22. It won’t be a surprise to see this Margaret Qualley and Geraldine Viswanathan movie among the lineups of the fall film festival trifecta. Written by Coen and Tricia Cooke, Drive-Away Dolls follows Jamie, an uninhibited free spirit bemoaning yet
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After passing $500M globally through Thursday, Illumination/Nintendo/Universal’s The Super Mario Bros Movie is now on its way to an estimated $659M through Sunday worldwide. Of that, the international box office is estimated to rep $318.6M.  Through Friday, the fratelli are at $268.9M from 71 overseas markets and $551.9M global. The full weekend cume offshore is
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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Exhibition cries for a supply of films at the box office, but a flood of titles means nothing if there isn’t any marketing money put behind it. Last weekend there were five wide releases going up against Illumination/Universal’s beast Super Mario Bros Movie. Did it even make a difference? Was a proper amount spent to
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James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after Avatar: The Way of Water cleared over a half-billion dollars in profit after all ancillaries. Given the sleeper nature of this sequel, and given the overall boom expected from this year’s global box office to $32
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EXCLUSIVE: Illumination/Universal/Nintendo’s The Super Mario Bros Movie just landed on tracking this morning ahead of its Easter weekend release, and the animated film is shaping up to make at least $85M-$90M+ over its Wednesday through Sunday launch — and that’s on the conservative side. Given the fervent response by fans to trailers, it would not
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A raft of Broadway’s recent arrivals led by Sweeney Todd: The Demon Barber of Fleet Street helped push the industry’s total box office last week to $28,638,821, up 13.8% from the previous week. Total attendance was up commensurately to 229,771. Sweeney Todd, starring Josh Groban and Annaleigh Ashford, contributed a whopping $1.8 million to the
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AMC stockholders today overwhelmingly approved a pair of provisions that would dramatically enhance the company’s ability raise fresh cash by issuing and selling shares and boost the price of the company’s shares in a ten-for-one-reverse stock split. The approval at a special meeting of shareholders help virtually would also trigger the immediate conversion of AMC
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Refresh for latest…: Paramount/Spyglass Media’s Scream VI has slashed its way to a franchise-record opening at the global box office with $67.1M, topping Scream 3 for the best in the bunch of this long-running Kevin Williamson-created series. At the international box office, it also set a franchise-best start with $22.6M from 53 markets, a whopping
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Shout! Studios presents The Magic Flute by Florian Zigl, executive produced by Roland Emmerich, at 325 theaters with expansion likely. A reimagining of the Mozart opera, it follows a present-day teen sent from London to the Austrian Alps on singing scholarship at the legendary Mozart boarding school. There, he discovers a century old forgotten passageway
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Oscar-nomination afterglow for this year’s Best Picture contenders was largely felt more in the home than it was at the box office, with a majority of titles already available to be viewed on the couch except for 20th Century Studios/Disney’s 3D title Avatar: The Way of Water. Since noms were first announced on January 24
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The power of a wide theatrical release was realized this weekend by streamer Amazon in its pivot back to the big screen with MGM/United Artists Releasing’s Creed III. It easily minted the best opening ever for the Seattle-based parent, as well as for the Rocky franchise, with $58.6M domestic, $100.4M worldwide. While Amazon has snapped
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