Movies

Police in Korea on Tuesday raided three major multiplex chains and the offices of three film distributors on suspicion of box office manipulation, according to multiple local media reports. News agency Yonhap, citing officials from the Seoul Metropolitan Police, said the six entities are alleged to have obstructed the business of the Korean Film Council
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With the Tony Awards – and a seriously orange New York City sky – prompting some Broadway productions to reduce their playing schedules last week, total box office and attendance was down a bit, with the 33 shows taking in $30,961,479 for the week ending June 11. In all, four productions – Kimberly Akimbo, New
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After a year plus of tabloid headlines about its star Ezra Miller, Warner Bros./DC’s Covid-delayed $200M Justice League standalone superhero movie, The Flash, finally arrives in theaters. The global opening looks better than domestic, $155M-$165M Global to a $70M+ in U.S./Canada. Despite a very good response out of CinemaCon and DC co-boss James Gunn exclaiming
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It feels like Covid all over again, but it’s not. Disney has just made a slew of release-date changes, many due to the impact of the WGA strike and screenplays not being ready and productions paused. We already know that Thunderbolts and Blade are waiting the strike out before rolling cameras. Scripts aren’t fully ready
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Utopia’s Squaring the Circle (The Story of Hipgnosis) grossed an estimated $10k from one engagement at NYC’s Film Forum, where it was the top-ranking pic. Celebrated filmmaker and photographer Anton Corbijn’s first feature documentary is the story of Hipgnosis, the iconic album art design studio that was a force in the music industry behind some
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While she was ebullient about Leopoldstadt‘s Tony Awards wins, including a crowning one for Best Play, producer Sonia Friedman offered some sobering thoughts about plays of its scale and cost Sunday night. “Oooh, this is a big conversation,” Friedman said when asked about the challenges of producing a show like Tom Stoppard’s multi-layered look at
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Paramount/Skydance/Hasbro’s Transformers: Rise of the Beasts is on the prowl overseas with $43.3M through Friday in 68 markets. This portends a $100M+ international box office debut, in line with projections. The domestic three-day is looking at $60M. China, a key market for the franchise, released the Autobots and Maximals at No. 1 on Friday with $11.8M,
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Two from Magnolia Pictures, the story of an iconic record album design firm back and a sighting of Brian Cox usher in a specialty weekend with smoke clearing over New York City. Acrid plumes from Canadian wildfires have smothered the key arthouse market over the past few days in an unusual air quality event that
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In the wake of world premiering in Cannes to lackluster film reviews at 50% Rotten, Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is currently looking at a $60M+ domestic opening. The movie opens on June 30 heading into what is conceivably a five-day play period given that Independence Day falls on a Tuesday. Dial
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Summer’s tentpole rumble continues this weekend with Paramount’s seventh Transformers movie, Transformers: Rise of the Beasts, which is heat-seeking $155 million at the worldwide box office for its opening frame, $100M of that offshore. The movie reps a concentrated reboot by the studio of the long-in-tooth robots-in-disguise franchise, which has suffered in latter installments from
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Despite all the noise The Flash star Ezra Miller created off set in the last year including a burglary charge for stealing liquor from a neighbor’s house in Vermont, among myriad other tabloid headlines, filmmakers who’ve worked with the actor vouch they’re the consummate professional with zero melodrama on set. Daliland filmmaker Mary Harron told
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D. Barry Reardon, former longtime Warner Bros. President of Sales and Distribution, has died at 92. The exec known as “The Dean of Distribution” among industry peers and filmmakers passed May 27 in Vero Beach, FL. Reardon was the head of theatrical distribution at Warner Bros from 1978-99, and was known for breaking the mold
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After the massive weekend success of Sony Animation’s Spider-Man: Across the Spider-Verse, many rival studios are looking at executing their comic book IP differently on the big screen. Quite often, animated superhero projects are released directly to the home (think Warner Bros-DC’s myriad superhero toon movies like 2010’s Superman/Shazam!: The Return of Black Adam and
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In a rare situation for a Disney tentpole, particularly a live-action title based on a treasured classic animated musical, The Little Mermaid looks to bank more at the domestic box office ultimately than overseas, with $300M-$350M U.S./Canada to $260M abroad. At that level, per finance sources, off a reported $250M production cost and $140M global
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A24 follows You Hurt My Feelings last weekend with dual-language romance Past Lives, starting a platform release on four screens in New York and LA including Q&As led by talent who have been champions of the film, including Steve Buscemi, Jodie Turner-Smith and Lulu Wang. Expanding this month. The Sundance premiering pic by Celine Song,
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Columbia Pictures’ and Sony Pictures Animation’s Spider-Man: Across the Universe is casting its web in international box office markets with  $13.5M through Thursday. That’s 2.5x the original in like-for-likes.  Notable in early reporting, India broke the local all-time opening day record for an animated movie with $610K while releasing on a non-traditional Thursday. The launch day gross is higher than
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EXCLUSIVE: Sony Animation’s Spider-Man: Across the Spider-Verse is doing some serious business tonight according to box office sources, accumulating $16M off previews that began at 3PM at 3,562 theaters. That’s the second best preview night ever for an animated movie after Disney/Pixar’s Incredibles 2 ($18.5M) from June 2018. Disney/Pixar’s Toy Story 4, with $12M, is
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Last night at the world premiere of Spider-Man: Across the Spider-Verse there was a huge sigh of relief from the mass of animators inside Westwood’s Regency Village Theater: the $100M budgeted sequel to the Oscar winning animated movie, Spider-Man: Into the Spider-Verse, was done; having completed post-production literally just ten days ago after a five-year
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Talk about legs — or, more appropriately, wings: Paramount/Skydance’s Top Gun: Maverick is still playing in Japanese cinemas a full year on from its debut. Continuing on from a stratospheric and super-leggy run, the sequel, on its 365th day of release, became Tom Cruise’s biggest film ever in the market. In doing so, it overtook
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