Dark on Light

Manuscripts

As the sun sets and a full moon rises, three children venture outside, ostensibly to find their runaway dog but mostly to frolic in the nocturnal world beyond their gate. Author Dianne White and illustrator Felicita Sala’s Dark on Light is lyrical, charming and wonderful. 

White’s text is more like a poem than a straightforward story. In lieu of lengthy descriptions, she creates a vivid world through concise statements that form rhymed couplets: “Silent the owl. Still the night. / Dark the meadow beneath its flight.” Once every four lines, the couplets resolve by using the book’s title as a refrain. This repetition, along with the text’s soothing, cohesive meter, lends Dark on White the mood of a calming lullaby. It calls to mind the way we feel compelled to whisper among shadows, to hush our voices as we explore the realm of nighttime. It’s magical and awe-inducing, but never eerie or foreboding. 

Sala’s illustrations do much of the narrative work. We see the children run through flowery fields, traipse through a forest, turn cartwheels in the grass and eventually find their dog and make their way home to bed. Sala’s artwork has a classical look, with soft shapes and muted hues that are familiar, joyful and full of life. And while night is often a source of fear for children, Sala’s dark forest is beautiful and deep, populated with gentle, curious creatures, including a doe and her fawn, a fox and a squirrel nestled in the hollow of a tree. Enchanting details—the Canis Major constellation highlighted in the starry sky, a teddy bear peeking out from under a bed—give readers a further sense of security. This is a safe book for imagination and dreams. 

Everything about Dark on Light makes it perfect for cozy time or bedtime. Actually, everything about Dark on Light makes it just about perfect. 

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