You’ve heard the saying, “The book’s always better than the movie.” Well, it turns out that’s not always true. Sometimes films are able to streamline through a novel’s tedious exposition or confusing jargon. Other times they’re able to bring fantastical worlds to life in a more spectacular way than you might have imagined. Either way, here are some book-to-screen adaptations that are at least as good as — and sometimes better than — their source material.
Jaws
Never bet against Steven Spielberg, especially with John Williams providing what turned out to be an Oscar-winning score! The 1975 thriller Jaws is widely considered to be one movie that’s at least as good as its source material. Spielberg cut out a lot of side plots from Peter Benchley’s 1974 novel, and the actors really elevated the book’s largely unlikeable characters, particularly Robert Shaw as Quint, turning the film into a classic you can watch over and over.
Willy Wonka & The Chocolate Factory
There are some pretty big differences between Roald Dahl’s 1964 novel Charlie and the Chocolate Factory and the 1971 classic Willy Wonka & the Chocolate Factory starring Gene Wilder (not to mention the 2005 remake and 2023 prequel). That means it’s probably a matter of personal preference regarding which is “better,” but it’s hard to argue with Mel Stuart’s musical fantasy.
The Thing
While John W. Campbell Jr.’s 1938 novella Who Goes There? is considered a classic for its deeply developed characters and an alien that’s smarter — and therefore possibly scarier — than its movie’s equivalent, John Carpenter‘s The Thing from 1982 is considered one of the best horror movies of all time. Its truly repulsive monster and effective special effects hold up even decades later.
Stand By Me
Lots of Stephen King novels have been adapted for the screen, and not all of those projects have been great. Stand By Me, however, which was adapted from “The Body,” from the Different Seasons collection, is considered one of the best movies from the ’80s. Some people prefer the movie, if only for the nostalgia kick provided by its phenomenal casting of Wil Wheaton, River Phoenix, Corey Feldman and Jerry O’Connell.
The Ring
Both the Americanized 2002 horror The Ring and Koji Suzuki’s 1991 novel are highly acclaimed, but the book simply can’t match the movie in terms of the creepy imagery from the cursed video.
Fight Club
Brad Pitt and Edward Norton are simply incomparable as a dynamic duo in 1999’s Fight Club. Not only is the movie considered one of the best of the ’90s, and Chuck Palahniuk — author of the 1996 book of the same name — has spoken positively about David Ficher’s film.
The Lord Of The Rings
I don’t think anyone’s arguing the talents of J. R. R. Tolkien here, and indeed many do prefer the world-building and lore of Tolkien’s The Lord of the Rings saga. However, other fans argue that the films are more inviting, bringing emotion to the characters and cutting through all of the author’s descriptive text.
The Hunger Games
There’s no question that Suzanne Collins’ The Hunter Games books could stand on their own, but it was thrilling to see those terrifying games portrayed on the big screen. From the worlds built for the youngsters’ trials to The Hunger Games‘ ridiculous outfits, it’s no wonder many hold Jennifer Lawrence‘s movie trilogy in such high regard. To me, it was worth it all to see Katniss’ red carpet-worthy “Girl on Fire” dress.
The Shining
The Shining is one of Stephen King’s best books, and — thanks in large part to Jack Nicholson’s unforgettable turn as Jack Torrance — the horror movie of the same name also remains a time-honored classic. Both will scare the daylights out of you, and there are enough differences between Stanley Kubrick’s film and the book that The Shining is totally still worth reading after you’ve seen the movie.
Requiem For A Dream
Hubert Selby Jr.’s 1978 novel Requiem for a Dream is a good read, but you just can’t beat the performances turned in by the cast of Darren Aronofsky’s 2000 film. Whether it’s the heartbreaking tailspin of Jared Leto, Jennifer Connelly and Marlon Wayans’ characters into addiction, Ellen Burstyn’s obsession with being on television or Christopher McDonald’s haunting Tappy Tibbons leading a chant about JUICE, this movie elevates the already-harrowing text into something that you won’t be able to shake.
Room
Emma Donoghue’s 2010 novel Room is told from the perspective of 5-year-old Jack, which gives a different POV to the story of a mother and her son escaping after years of captivity than the 2015 film adaptation. The book is undoubtedly gripping, but the movie holds its own, earning four Academy Award nominations, including a win for Brie Larson for Best Actress.
The Silence Of The Lambs
It doesn’t matter how good Thomas Harris’ 1988 novel The Silence of the Lambs was — and it was definitely good — the 1991 film adaptation won the Academy Awards’ “Big Five,” which includes the Oscars for Best Picture, Best Director (Jonathan Demme), Best Actress (Jodie Foster), Best Actor (Anthony Hopkins) and Best Adapted Screenplay (Ted Talley). Since its release there have been three more movies and two TV series based on these characters, so I’d say that paints both the film and the novel in a phenomenally successful light.
Mean Girls
It’s not really fair to compare 2004’s Mean Girls to the source material that inspired it. That’s because Tina Fey adapted one of the best high school movies of all time from Rosalind Wiseman’s self-help book Queen Bees and Wannabes, which is a guide for parents to help their teenage daughters survive in a world of cliques, gossip and boyfriends. While moms of teens (myself included) could probably use all the help we can get, there’s no way Queen Bees and Wannabees could stand up to Mean Girls‘ most quotable lines and pop culture references.
To Kill A Mockingbird
Harper Lee’s To Kill a Mockingbird has been a staple in schools since it came out in 1960 for its exploration of themes like race and stereotypes. It wouldn’t be fair or correct to say that the 1962 film was better, but Gregory Peck and Mary Badham gave performances that earned them Oscar nominations as Atticus and Scout Finch, respectively. Overall the movie won three of the eight awards it was up for (including Best Actor for Peck), which should make it worthy of being considered as good as Lee’s novel.
One Flew Over The Cuckoo’s Nest
While many still prefer Ken Kesey’s One Flew Over the Cuckoo’s Nest, the 1975 movie made Randle Patrick McMurphy’s crimes more palatable for the moviegoing audience and ultimately won five of the nine Academy Awards it was nominated for, including Best Actor for Jack Nicholson and Best Actress for Louise Fletcher (Nurse Ratched).
Psycho
Alfred Hitchcock’s Psycho is based on the 1959 novel of the same name by Robert Bloch, but the movie proved why Hitchcock was the master of suspense, with that infamous shower scene likely inspiring audience members to start double-checking the locks on their bathroom doors. While the 1960 film may be as good (or better than) the book, the same can’t be said for 1998’s Psycho, which is considered one of the worst remakes in Hollywood history.
The Shawshank Redemption
Adapted from Stephen King’s novella from Different Seasons, The Shawshank Redemption was turned into a classic movie that many think surpasses its source material. Frank Darabont’s 1994 film adds a lot to the story of Andy Dufresne (Tim Robbins), Ellis “Red” Redding (Morgan Freeman) and their decades together in prison. The film garnered seven Oscar nominations but did not win any.
Jurassic Park
Michael Crichton set the stage with his 1990 novel Jurassic Park for how dinosaurs could come to exist in the modern era and Steven Spielberg got hold of the idea and ran with it, creating a world for the big screen that we’d only ever dreamed about. As good as the book is, there was just something about seeing the prehistoric beasts walking amongst the humans with our own eyes, and that idea has since inspired two trilogies and several TV series.
Forrest Gump
A lot was changed in the story of Forrest Gump between the 1986 novel by Winston Groom and the 1994 Robert Zemeckis film, but for many, it was Tom Hanks’ heartbreaking portrayal that got us, along with plenty of quotes still being repeated today. The six Academy Awards from 13 nominations also speak to it being a pretty good movie adaptation.
The Hunt For Red October
The 1990 spy thriller The Hunt for Red October cut out quite a few subplots and a lot of technical language from Tom Clancy’s best-selling debut novel, making it more approachable for a wider audience. Without the popularity of this movie, would we still live in a world with three dozen Jack Ryan novels, a handful of films and a TV series? Thankfully we don’t have to consider the alternative.
The Notebook
Nobody tells an epically sad love story quite like Nicholas Sparks, and that includes his 1996 novel The Notebook. However, seeing Ryan Gosling and Rachel McAdams’ chemistry as they brought Noah and Allie’s story to life in the 2004 drama was what really stuck with fans over the years.
The Princess Bride
The Princess Bride is one of the funniest and most quotable movies of the 1980s, and it’s considered just as good as its source material, though the two are very different. William Goldman’s 1973 novel is highly praised amongst those who have read it, with many fans suggesting that people who have only seen the movie would still enjoy the book.
A Clockwork Orange
Stanley Kubrick’s 1971 adaptation of A Clockwork Orange is a fairly loyal interpretation of Anthony Burgess’s 1962 novel, save for a few changes to make Malcolm McDowell’s Alex more palatable. Many prefer the film’s darker ending, as well, to the more optimistic conclusion Burgess wrote.
Little Women
Louisa May Alcott’s Little Women has been adapted twice in recent decades — the 1994 version starring Winona Ryder as Jo March and Greta Gerwig’s 2019 film. Because each iteration alters the March sisters’ stories to better reflect the societal roles and priorities of a woman in that day, it only makes sense that audiences connect more with the updated material.
The Wizard Of Oz
No matter how classic L. Frank Baum’s The Wonderful Wizard of Oz is — and there are plenty who are staunch defenders of the book — there’s nothing quite like seeing Dorothy step from her sepia-toned Kansas farmhouse into the fantastic Technicolor world of Oz in 1939’s The Wizard of Oz. The film adaptation remains a beloved children’s movie all these decades later.
Shutter Island
Both the 2003 psychological thriller by Dennis Lehane and Martin Scorsese’s 2010 adaptation of Shutter Island starring Leonardo DiCaprio are highly regarded by fans, with many choosing to experience both, despite knowing how it ends. The movie stays loyal to the novel and can be considered at least as good, if not better.
The Devil Wears Prada
In Lauren Weisberger’s The Devil Wears Prada, her fictionalized account of working for Vogue editor-in-chief Anna Wintour is undoubtedly fascinating, but Meryl Streep as Miranda Priestly on top of the performances of Anne Hathaway, Emily Blunt and the rest of the cast elevate the story.
The Godfather
Mario Puzo’s 1969 bestseller The Godfather was arguably made even better by Francis Ford Coppola by focusing his film on Marlon Brando’s Vito Corleone and his relationship with son Michael (Al Pacino), thereby streamlining the novel’s grand story.
A Simple Favor
In the movie adaptation of A Simple Favor, many find Anna Kendrick’s Stephanie more likable than the blogger in Darcey Bell’s 2017 novel of the same name. To that point, Blake Lively makes her own character Emily feel even more dangerous.
Blade Runner
Ridley Scott’s Blade Runner is considered one of the best sci-fi movies of all time and many think it’s even better than its literary counterpart, Philip K. Dick’s Do Androids Dream of Electric Sheep? From Harrison Ford’s portrayal of android hunter Rick to the book’s bleaker ending, this is the rare film that surpasses its source material in many fans’ eyes.
City Of God
Fernando Meirelles’ celebrated 2002 crime drama City of God expands on the 1997 novel by Paulo Lins in its performances and how it illustrates gang life in a suburb of Rio de Janeiro. Respect and homage are paid to the people of the region, and the cinematography shows the beauty that exists amidst the tragedy.
Drive
Many fans seem to prefer Nicolas Winding Refn’s 2011 movie Drive to the 2005 book by James Sallis, crediting the director and Ryan Gosling with further developing the Driver and other themes in Sallis’ work.