Westworld co-executive producer and director Fred Toye told Vanity Fair last season: “We return to the facility that we’ve seen, and it’s destroyed now. It’s covered with sand, and it looks like a lot of time has passed and all of that. That’s all part of establishing that timeline.” Toye said a number of other things in that interview that seemed to confirm the interpretation that we were watching a Host version of William at some point in the far, far, far, far future putting himself through a test. And I believe, at the time, that was the intention for that scene.
But Westworld was also originally meant to run five seasons and I’m not sure, at this point, whether the show will continue beyond this year. It may! And maybe that far dusty future with William trapped in his own park is still on the table. Heck, maybe it’s the end of the game Dolores referred to so ominously this week.
But what feels even more likely to me, though I have no concrete evidence, is that the Westworld creators have opted, instead, to dial back their ambitions for William and the scope of his “punishment” and introduce the idea that all of his torment is internal, rather than external. Fitting, then, that he should wind up at a mental facility called Inner Journeys Recovery Center. Of course, who knows if that place is even real. Knowing Westworld we should always be questioning the nature of both our and everyone else’s reality.
But maybe that’s the part of me that still wants Dolores to be the hero of this story when all signs—including the scener where the partygoers got to choose white masks and black—point to her being the true antagonist of Season 3.